Which songwriter doesn’t know this situation: Your significant other has a birthday coming up and you don’t have a gift yet. The copy of “He’s just not that into you” from last year didn’t go over too well and your only way to ever getting laid again is confessing your love in the form of a beautiful song.

Love remains the #1 subject in songwriting and being able to write great romantic lyrics is mandatory for every professional songwriter.

The 5 techniques from this article can be applied to any type of lyric, but they do wonders for romantic songs.

Tl;dr? Here’s the video version of this blog:

Structure With Direction

One of the biggest mistakes I see time and time again is lyrics that are written “List Style”:

“I love your lips, your eyes, your hands, your hair, your smile

This screams “I don’t know what else to say” and you’re gonna run out of things to say pretty quickly.

“I love your left heel, your chin, your ears, er… your… shoulders I guess?

…and we’re still in verse 1.

You want to avoid this at all cost! The big problem here is that you’re revolving around the same topic, and that’s boring.

Instead, you want your lyrics to have direction. The 2nd verse should add something new to the picture, as should the bridge. This divides your song into 3 distinct acts.

There are several frameworks to divide what you want to say into three parts, but here are my top 3:

#1: Me, You, Us.

This is a great and easy-to-use framework that works like a charm. The idea is to focus the first verse on yourself, bring her into the picture in the second verse and to describe your relationship in the bridge.

#2: Past, Present, Future

Here, you begin by telling your story before you guys were together. Focus on the parts of your life that you felt incomplete in or where you had some maturing to do. “I didn’t even know what a toothbrush was before I met you”, that kind of stuff.

Then, get into where you are right now, and how your significant other has changed your life.

End with a look into the future. Especially if you want to use your song as a means to propose, this is a great moment to talk about being together forever.

#3: Your Faults, My Faults, Together We’re Strong

This is a tricky one and one for you if you know your way around words. This one can backfire big time, so be extremely cautious here.

The idea is to make your significant other slightly vulnerable which opens her up for your big message in the bridge.

Again, do not attempt this if you’re inexperienced or this will turn around on you. But if this concept sounds intriguing to you, you’re right. It’s unique and it’s extremely powerful.

Find The Right Words

The way you write is just as important as what you’re saying.

Be specific about your partner. Add details only they could know. Make it an insider. It shows that you really know them and that you wrote it just for them.

Lyrics like “You’re beautiful” or “I love how you make me feel” may work on the radio (where it’s supposed to reach a lot of people), but if you do the same thing for your significant other you are wasting potential.

Bo Burnham has a hilarious bit about this in his song Repeat Stuff. Check it out and you’ll never forget it.

Be charming. Use humor, especially if you’re using framework #3. Lighten the mood. Laughter establishes a strong connection like few other things, so work in some inside jokes or remind them of fun times you had together.

Be emotional. Add some power words to the mix to make your song an emotional roller coaster. If you want to learn more about power words, read this article here.

Be yourself. Write what feels right. Don’t use words you wouldn’t normally use. Yes, be a little more open about your feelings than usual, be dramatic. But mean what you say. Don’t use big words just for the rhyme or because it sounds good.

Go with your guts. If it makes you feel something, it’s gonna work. You know your partner better than anyone else. Trust your intuition.

Be Careful With Metaphors

Another trap songwriters fall into. You want to be understood immediately so be clear. Don’t use metaphors unless it’s 100% clear what you’re trying to say. Don’t leave your partner wondering.

“It’s nice you wrote a song about bees and flowers, honey, but what does it have to do with me?” Learn more about the usage of metaphors here.

Don‘t Use Clichés

Above all, remember this: Love songs are terribly boring. We are so overfed with big, emotional declarations of affection that it takes something really special to make us pay attention.

The easiest way to write a standard love song that won’t be remembered is to use clichés. You know this, of course. But what you may not know is just which words exactly fall into this category.

It’s not just stuff like “I love you with all my heart” that’s the problem. I think most people are aware that this line is sappy and wouldn’t use it themselves.

The problem lies in shorter phrases like “I miss you” or even “I love you” that are fine in real life, but sound way too familiar for use in a lyric.

Your primary job as a lyricist is to make things we’ve heard a gazillion times fascinating again. If you use canned lines you are doing the opposite. Don’t say what others have said before you. Look at it from a new perspective. Sound fresh.

Read more about sounding fresh here.

Use Contrast

The best Hollywood screenwriters all know one thing: Emotion is relative.

If you’ve ever watched a 120 minute drama that was ALL drama you will know what I mean: Movies that are only dramatic are a drag. You leave the theater feeling lousy. Good writers put in at least one scene for comic relief.

The same goes for comedies: Remember those sad moments in the second half of Ted or 21 Jump Street? Contrast is important, because there is no light without shadows and no shadows without light.

So when you’re writing your lyric, don’t be all romantic and dreamy. Put in some moments of hard truth to contrast your message and it will be that much stronger.

We already talked about making your partner feel a little vulnerable first to open her up for your message.

You could talk about things that aren’t going so well in your relationship. Show that you’re aware of these things and sum it all up by saying that it doesn’t matter to you. This shows you’re grounded and not a lunatic.

(When you do this, make sure you don’t make your partner feel bad. You just want them to feel a little confused, as in “what the hell is going on?”)

It also creates a nice kind of tension that ultimately needs to resolve at the end of your song. So whatever you want to say to your partner, the end of your lyric is the best moment to do that (yes, this is your chance to get sappy).


3 Outdated Lyric-Writing Techniques You’re Still Using

3 Major Ways In Which Songwriting Has Changed

3 Reasons Why Stories In Lyrics Are DEAD

How To Write Throat-Grabbing Lyrics

How To Find Your $1 Million Song Title

Make Your Metaphors Hit ‘Em Right In The Gut!

About the Author Friedemann Findeisen

I’m Friedemann Findeisen, a creative weirdo from the middle of nowhere. I love making things, learning things and helping people. If I don’t make, I get restless. If I don’t learn, I feel empty. If I don’t help, I feel ungrateful. Good things have happened when I managed to balance all three.

In the past, I’ve been a magician, public speaker, music video director, songwriter, producer, board game designer, author, publisher, YouTuber, music profiler, illustrator, musician and film composer.

The best things I've ever made are Holistic Songwriting Academy, my book The Addiction Formula, the YouTube show The Artists Series, my Grunge album Canohead and my board game Cantaloop.

  • your tips given me a lot of energy ,thoughts , ideas and some story line too ! ??thank u so much

  • It is said, often, “Don ‘t Use Clichés”, but I don’t believe that. I like the idea of using familiar statements and phases, that people can relate to and understand. I write songs (lyrics) usually for mass consumption and like to give people something they’re familiar with and can easily pickup and relate to. “I Miss You” works, just look at the Harold Melvin And The Bluenotes song of the same name. The phase “I Miss You’ is used throughout and it is a wonderful and wonderfully memorable song, and as for the phase “I Love You” just look at the Lenny Williams song “Cause I Love You” it is a very powerful song and I love you is said throughout. It’s more, I would say, a matter of making your use of clichés effective, rather than avoiding them completely. You want your audience to know what you are saying, using a phase they’re familiar with can easily do that. Your challenge is to use those familiar phases (clichés) and still make your song impactful. You do that, and you have a successful song.

  • {"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}


    Get your Free Starter Kit!

    Join the N°1 platform of songwriters, producers and artists.