Melody is king. No other melodic element in your arrangement will ever be as important - not chords, not the bass, not pluck sounds.
So it makes sense to take a really close look at what makes a great melody and which parts it’s made up of.
If you’ve read my post on
how to write chord progressions that grab an audience (which I recommend you do, if you haven’t done it yet), a lot of what you’ll hear in this post will seem familiar.
To me, chords and melodies are almost the same thing anyways (and if you would like to hear about that, let me know in the comment section), so it’s no big surprise that melodies come in the same types as chords:
Color Melodies, i.e. melodies that sound pretty
Direction Melodies, i.e. melodies that go somewhere
Blends, i.e. melodies that use both color AND direction
…continue reading →